Three units are being used to support the facility's networked Dante infrastructure
Read More »Focusrite RedNet proves critical for Gimlet Media’s new podcast facility
Company is using a range of the Dante-networked audio converters and interfaces in its new Brooklyn HQ
Read More »Review: Crane Song HEDD Quantum
Wes Maebe tests out this new David Hill-designed AD/DA converter from Crane Song...
Read More »NAMM 2018: Ferrofish showcases Pulse16 recording interface
The 16x16 interface features ADAT connectivity, latest AD/DA conversion and optional MADI — making it ideal for live or studio applications.
Read More »American Mobile makes “good long-term investment” in Focusrite gear
Remote production company American Mobile has expanded its arsenal with Focusrite’s RedNet audio converters and interfaces.
Read More »Apogee Symphony I/O MkII now available with Waves SoundGrid
Symphony I/O MkII’s sound quality can now easily be accessed from a computer, shared between multiple rooms, multiple computers and ‘supercharged’ with real-time DSP power via Waves SoundGrid servers.
Read More »Company Profile: Prism Sound
Prism Sound is a manufacturer of professional grade digital audio converters and interfaces for recording studios, broadcast studios and voice logging recorders. Here, AMI discovers how the company has evolved with the times as it celebrates its 30th anniversary.
Read More »RME launches new ADI-2 DAC converter with remote control
The unit, in its 9.5"/1HE housing, makes use of a 32 bit/768 kHz reference converter, RME SteadyClock technology for jitter suppression, and a powerful DSP processor.
Read More »DirectOut integrates Waves SoundGrid in its SG.MADI converter
Waves has joined forces with the German-based networking, routing and conversion specialist to include Waves SoundGrid technology in DirectOut’s SG.MADI converter.
Read More »AES 2017: Dangerous Music previews CONVERT-AD+ converter unit
Company's latest offering is a "flexible, switchable sonic tool that sounds cool and is as relevant on a vocal track as it is on a master.”
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