Focusrite RedNet proves critical for Gimlet Media’s new podcast facility

Company is using a range of the Dante-networked audio converters and interfaces in its new Brooklyn HQ
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Gimlet Media, the Brooklyn-based media company behind hit podcasts like Reply All, Homecoming, The Nod and StartUp, is using Focusrite’s RedNet range of Dante-networked audio converters and interfaces in its new 27,000 sq. ft. headquarters.

A total of 15 RedNet MP8R eight-channel mic pre and A/D converters equip all 13 studios, as well as six RedNet AM2 stereo audio monitoring units. MP8R’s are assigned to each podcast studio, acting as the mic pres for each studio and interfacing with the QSC Q-SYS backbone, which handles routing and signal processing.

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The six AM2 units are distributed as needed throughout the production facility and are used by note-takers who transcribe and otherwise chronicle the podcast production process, allowing them to be connected to the sessions without needing to be inside the studio itself. All of the RedNet products were purchased through Sound, Production & Lighting (SPL), the Chicago-area-based AV integrator on the project.

“The RedNet MP8R units are great — they solve two issues,” said Austin Thompson, technical director at Gimlet Media. “First, we’re very focused on audio quality here, so the Focusrite preamps were the right choice — they sound fantastic. We’re using microphones that need a lot of clean gain, which the MP8Rs give them.”

The MP8R’s and AM2’s compatibility with both AES67, which facilitates from the mic preamp through Q-SYS for monitoring, and Dante, which is the interconnect format for the facility’s Pro Tools systems, made a huge difference, according to Thompson: “Q-SYS speaks AES67 inherently at 48k, so all routing — the MP8Rs to Q-SYS and Q-SYS back to headphone distribution — is in AES67,” he explained. “Q-SYS then sends an additional discreet post-fader Dante feed out to the Pro Tools computers in each studio, and also applies sample-rate conversion to that feed so that we can capture at 44.1.

“RedNet is easy to use, which was a requirement we had so that our producers could access all of their archive content with a minimum of instruction. The MP8R and the AM2 hit all of the points we needed to address for connectivity here, and we’re planning on putting more of them in place in the future.”

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