Company's loudness solutions provide students with software that ensures consistent and compliant loudness for TV and online projects
New consoles are an upgrade from the facility’s Calrec Sigma and Omega legacy desks
Formosa's Jonathan Wales relied on Halo Upmix’s ability to work in multichannel and immersive formats
Live performance venue is now using the company's Artemis and Brio36 desks
A number of the manufacturer's broadcast models were employed at the biennial event
Emmy Award-winning facility has invested heavily in Dante infrastructure and Focusrite’s RedNet range
GCRS' newest studio boasts Dolby Atmos and Ambisonics sound and its set up to create hyper-realistic soundscapes for VR applications in an environment dedicated to creative collaboration.
BAFTA, Ivor Novello celebrated composers and innovative live musical performance confirmed for inaugural event at Southbank’s Purcell Room
The Meg soundtrack composer Harry Gregson-Williams has said that he hopes to have created an "edge-of-your-seat score that helps the audience to immerse themselves" in the film
Renowned film composer Tyler Bates (Deadpool 2, Guardians of the Galaxy, John Wick), will also speak at this year's event.
The company has acquired an Artemis Light and Artemis Beam for its Emerald and HD1 mobile production units, respectively.
Brains and Hunch are renowned composing and sound design duo Tom Haines and Chris Branch.
The audio consultancy worked closely with Suite TV’s interior designer to deliver a 5.1 surround sound studio
LipSync Post have welcomed an overhaul and upgrade to their Soho based facility.
Audio director Rick Hernandez used a selection of DPA microphones to capture sounds Respawn Entertainment’s first person science-fiction game.
VR, AR and immersive experience is becoming an increasingly important aspect of audio for games, film and television and the professionals responsible for mixing sound for these formats are having to adapt to an evolving industry landscape in order to produce the highest quality audio, regardless of the final playback system, as Stephen Bennett reports...
As various new listening formats continue to see increased implementation across the board, creative opportunities are becoming easier to access for post production professionals.