Soundcraft Vi4 on the road with Paolo Nutini - Audio Media International

Soundcraft Vi4 on the road with Paolo Nutini

Soundcraft Vi4 on the road with Paolo Nutini
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Scottish singer/songwriter/musician Paolo Nutini is currently touring worldwide in support of his latest 2014 release Caustic Love with monitor engineer Paul Hatt, working behind a Harman Soundcraft Vi4 digital live sound console. Hatt has been with Nutini for the past six months, relying on the Vi4 to deliver monitor mixes to Nutini and his 11-piece band that includes guitars, bass, drums, a two-piece brass section, backing vocals, and more. In addition, Hatt’s company, CS Audio, has been providing a control and monitor package for the tour.

“Paolo has a wonderful dynamic range and we’re doing a nice mix of rock and some softer tunes,” Hatt pointed out. “The Vi4 sounds equally clear and musical whether Paolo and the band are quiet and subdued or rocking away at full bore – the console never sounds strained or harsh no matter what we ask it to do.”

Hatt notes that Paolo and the band are so tight they don’t need a click track: “This is the first band I’ve done in years where I don’t have to hear that click in my ear all the time and can just concentrate on the mix. The vocal and instrumental balances are always varying and changing with a band of this size and with the Vi4 I can easily store hundreds of cues if I like and easily keep up with anything Paolo and the band want to do, even on a moment’s notice.”

Hatt finds the expanded monitor mixing capabilities provided by the Soundcraft Vi4’s latest Version 4.8 software to be especially useful. “The Vi4 is now even more suited to live performance thanks to the expanded bus structure,” Hatt said. “It’s nice to know I can keep adding stereo mixes and not run out of them, which happens with some other consoles.”

Hatt has also been working with the Soundcraft ViSi Remote iPad app, which enables remote control of Soundcraft Vi Series or Si Compact consoles from an iPad. Hatt takes his iPad with ViSi app on the road to EQ the monitor wedges from various locations across the stage, finding it extremely useful in dialling the sound of each monitor without having to constantly run to and from the console to the stage. “To say this speeds up the process of fine tuning and ringing out the monitors would be an understatement,” he noted.

www.harman.com

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