'As a live mixing engineer, it’s a real bonus to be working with someone who really stands out with her natural talent'
A completely different approach to rigging a system was required for the set-up, with the multiple loudspeaker hangs positioned right across the top of the performance platform
Handling Sheeran’s ‘completely bespoke’ loop pedal, the audio team behind his Divide world tour explain the technical process behind the sold-out shows
Supplied by UK-based Audio Feed, Bulgaria’s Meadows in the Mountains festival benefited from a Funktion-One sound system
A petition to save the Shoreditch studios has been launched
The audio installation had to cater for the multiple applications the venue is used for
Monitor engineer Jamie Hickey is using DPA microphones on drums and vocals for all the band’s live concerts and TV promos
To mark the launch, Peex is offering music fans the chance to purchase and download five never-before-released recordings of classic Elton John shows via the free app
“I am not keen on sound that draws attention to itself, so I only wanted to utilise localisation where it was artistically informed by the story”
Having provided an MLA loudspeaker array solution for McIntyre's Happy & Glorious Tour in 2015, the company has repeated the formula for the current Big World Tour
Keppler runs Waves plugins via MultiRack, a Mac mini, a 20-inch touch screen, and a SoundGrid Extreme Server.
The system was used for a conference at Manchester’s Albert Hall, where Tube is the resident audio systems provider.
'At each venue, we quickly get the result we want'
All artists will rely on Digital 6000 microphones, and use either SKM 6000 handhelds with MD 9235 dynamic capsules, or SK 6000 bodypacks with Sennheiser custom headmics.
Björk sound designer Marco Perry on his work and predictions for the future of 3D audio
Kevin Madigan is the FOH engineer for Lana Del Rey and has been the behind the mixing console for acts such as Crosby, Stills, Nash, and Young, David Gilmour, The Smashing Pumpkins, Ray LaMontagne, and Lucinda Williams to name just a few.
‘We don’t use in-ears because the producers are very serious about being 1950s period correct’
'The headphone amp is very quiet, the ScrollControl is very useful to adjust the plugins’ parameters and I can count on two nice preamps for additional recordings'
SoundGrid Rack is a plugin that runs within the Venue S6L environment, eliminating the need for a computer host or an external network switch.
Printworks London to launch 3,000 capacity live room with audiophile-grade sound quality and next-level bass performance throughout.