Synthax to present AES@NAMM monitoring and networking sessions at NAMM 2019

Two execs will host three sessions covering the hottest topics in audio networking, mixing and monitoring
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Synthax, distributor of RME, Ferrofish and myMix, has announced that its managing director Mathias Von Heydekampf and its director of sales, Americas Derek Badala will present three sessions during the second annual AES@NAMM Pro Sound Symposium: Live & Sound educational and training programme.

Taking place during the 2019 NAMM Show in Anaheim, California, from January 24–27, 2019, the sessions will focus on selecting the right audio interface, overcoming in-ear monitoring issues, and breaking down audio networking options.

Targeted at professionals in the live sound, recording and performance-audio space, the four-day international symposium features training academies and related technical sessions presented by a team of specialists and experts in the field.

On Friday, January 25 at 12pm, Synthax’s Badala will walk listeners through what to consider when shopping for their next interface during the session “Choosing the Right Audio Interface.” During the two-hour session, Badala will address how to select the best interface for your needs, break down the differences between USB 2.0 and USB 3.0, and share how to achieve low-latency monitoring.

Synthax’s managing director Mathias Von Heydekampf will present “In Ear Monitoring Advantages and Personal Monitor Mixing” on Friday, January 25 at 2pm. The two-hour session will delve into the dynamics of listening with in-ear monitors and how a qualified personal monitoring system can help overcome these issues by creating an individual mix using stereo effects and panning to re-create a three-dimensional and natural sound experience.

Finally, on Saturday, January 26 at 2pm, Badala will host “Unraveling Audio Networking: An In-depth Look at Dante, AVB and MADI” which will break down each system’s advantages and explain how to best employ them in your setup.

Synthax can be found at booth 14702 during the 2019 NAMM Show.

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