Post & Production

Immersive sound format is the focus of this year’s Masters of Audio seminars

Standards simplify distribution of immersive audio; ensure smooth and consistent playout on immersive sound systems for cinema

Emmy Award-winning facility has invested heavily in Dante infrastructure and Focusrite’s RedNet range

Director Roxanne Benjamin shot Final Stop on just a smartphone and recorded most of the audio with Sennheiser’s Ambeo Smart Headset.

GCRS' newest studio boasts Dolby Atmos and Ambisonics sound and its set up to create hyper-realistic soundscapes for VR applications in an environment dedicated to creative collaboration.

BAFTA, Ivor Novello celebrated composers and innovative live musical performance confirmed for inaugural event at Southbank’s Purcell Room

The Meg soundtrack composer Harry Gregson-Williams has said that he hopes to have created an "edge-of-your-seat score that helps the audience to immerse themselves" in the film

Renowned film composer Tyler Bates (Deadpool 2, Guardians of the Galaxy, John Wick), will also speak at this year's event.

The expansion includes plans for the first Dolby Cinema sites in the UK and Germany

AMI meets some of the people using hydrophone microphones to record the hidden audio of the earth’s oceans