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Japanese psychedelic rock band uses Audient iD22 USB interface

Japanese psychedelic rock band uses Audient iD22 USB interface
Colby  Ramsey

Recording

24 August 2016: By Colby Ramsey

Bo Ningen, who have played some festivals in the south-west of England this summer, have added the USB audio interface to their recording setup.

Artistic, psychedelic rock foursome, Bo Ningen has recently added an Audient iD22 USB audio interface to their recording setup.

Lead singer Taigen Kawabe’s initial reaction to the new arrival was surprise at “the clarity and honest sounds from the iD22,” later adding, “I would say the mic preamp surprised me the most. It’s super-clear and can capture such a wide range of frequency.”

Having met in London and formed nine years ago, the foursome have toured with The Fall, Primal Scream and Kasabian, and worked with fashion brands Alexander McQueen and Yoji Yamamoto.

Most of their songs are in Japanese and the band itself is notoriously difficult to define. “I think: ‘doesn’t fit into one particular genre or music scene’ is one of the strong points we have as a band,” said Kawabe.

He went on to describe his studio setup for recording instruments and vocals: “I normally plug almost everything into my mixer (a Soundcraft MPM) and then plug into the audio interface. I’ve just started to plug straight into the audio interface directly – especially the microphone – after I changed to the iD22.

“I like to use something you’re not supposed to use for mixing to process the sound and mix it with original sound - cheap guitar pedals, or I’ll record something with the laptop mic, for example,” Kawabe added.

He’s been using the extra outputs afforded by the iD22 audio interface to connect to his mixer to process the sound.

With the vocal chain made up of: Mic (SM58 beta) → Boss RE-20 Space Echo Effects Pedal → Boss VB-2 (Original 1980s) → DI or Audio Interface, Kawabe has plans to buy a good condenser mic before making the next band recordings. “I would be more than comfortable with a combination of a good mic and iD22 mic pre to record my vocal or some re-amp/production stuff for the recordings on the final release.”

For Kawabe (pictured above), playing music is a sort of purification ritual and he is well aware that his Japanese lyrics confuse the audience. “I like how people can use their imagination to figure out what I’m singing about, or focus more on the sound itself. With say, 1000 people in a venue, isn’t it more interesting that each of them is processing the soundscape differently in their minds?”

After nearly a decade in the UK however, he’s started writing more songs in English. “Singing in English is like learning a whole new instrument, it’s a source of new inspiration and ideas. I come up with totally different rhythms and melodies when I sing in different languages,” he remarked.

Bo Ningen has played at some festivals in the south-west of England this summer, after a whirlwind tour in their homeland, Japan.

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