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Powersoft, EAW system installed at UEFA Euro 2016 venue

Powersoft, EAW system installed at UEFA Euro 2016 venue

Ottocanali amplifiers and QX loudspeakers have been placed in the new 59,000-capacity Parc Olympique Lyonnais Stadium.

Powersoft’s Ottocanali multi-channel amplifiers and EAW’s point source QX loudspeakers have been installed at the new Parc Olympique Lyonnais (Parc OL) as it prepares to host UEFA European Championship matches this summer.

Axente, a professional audio distributor in France, and integration specialists Groupe SNEF and Axians worked together to design the distributed sound reinforcement system that aims to provide fans with an enhanced game day experience. They teamed up with the design office of Atelier Audiovisuel, the engineering consulting firm brought in by Vinci Construction, to ensure that all of the 59,000-capacity stadium’s audio needs were met.

The eight-channel Ottocanali amplifiers provide 144 independently configurable channels to drive the QX loudspeakers. Each compact 2RU device can deliver up to 8,000W of Class D power across eight channels into a four-ohm load, meaning the stadium will also benefit from lower operating costs as well as higher power density and less demanding conditioning.

Four Ottocanali 4K4 and 14 Ottocanali 12K4 power a distributed system made up of 20 QX loudspeaker clusters mounted 35 metres (115ft) high under the gangway. Custom hanging hardware designed by SNEF was utilised to mount the loudspeakers. The majority of the system is comprised of 16 clusters made up of two QX596i and one QX564i, bi-amped, with the QX596i shooting down to cover the first and second tiers of seating while the QX564i covers the upper tier. The four corner clusters consist of one QX596i and one QX564i positioned to cover the corner seating areas.

The three-way, point source QX596i and QX564i loudspeakers load ‘ultra-efficient’ mid-high compression drivers (90 x 45 and 60 x 45 respectively) with a constant directivity horn. Four Phase Aligned 12-inch low frequency transducers arranged as vertical and horizontal pairs leverage beneficial interaction based on their spacing to extend pattern control will into the low frequency range.

“The four 12-inch LF cones were exactly what we needed to achieve excellent low end without compromising intelligibility,” said Frankie Celeste from Axians.

It was Axente’s consultant Alain Hercman who recommended the Powersoft/EAW system. “The quality of this amplifier platform is far superior to others and allows us to use fewer amplifiers,” he explained. “When combined with the state-of-the-art QX Series – which provide tremendous output and intelligibility – it was a win-win situation.”

Hercman also notes that the ‘green’ credentials, as well as reliability, supreme sonic fidelity and dual redundant power supply contributed to the decision to utilise Powersoft.

Rodolphe Roellinger, head of audiovisual at SNEF, is confident that the Ottocanali series had been the logical choice, as it was recognised as “an excellent amplifier within the industry – compact, high powered, top quality and with an attractive price.”

The Symetrix Radius matrix router, also provided by Axente, runs the Dante protocol. The network architecture is designed around a master control room and two subsidiaries linked by Dante. Taking analogue feeds from the Symetrix matrix router’s Dante extension cards, the 12K4 devices feed the low-end sections (mono bridged at 8 ohms) and the 4K4 manages the mid and high sections.

The design for the privately owned Parc OL, situated in the French city of Leon, was conceived by renowned architects Populous, who were also behind the Emirates and Wembley stadium in London. It is the third largest sports venue in France and arguably the most advanced. Estimated to have cost in the region of €450m to construct, it has provided a new home stadium for Olympique Lyonnais since the beginning of the year.

Nicolas Houel, technical manager at OL Images, concluded: “In terms of audio qualities, we wanted something that would be impeccable. We wanted to broadcast any source in any areas of the stadium, hence the Dante matrix. When people come to this stadium, they get a real show, both visually and sonically. The result is a great installation for football fans which will resonate in the years to come.”

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